Today's blog entry from Noah Pollak of Commentary magazine:Wednesday, December 31, 2008
Did I say, delusional? Right on cue . . .
Today's blog entry from Noah Pollak of Commentary magazine:Monday, December 29, 2008
Israel's Delusion
There was the failed invasion of southern Lebanon. Then, the embargoes and closings of border crossings from the occupied territories. Now there is an invasion of Gaza characterized by the Israeli defense minister as a "fight to the bitter end". And in that simple phrase, "fight to the bitter end", is neatly captured the delusion that seems to motivate Israeli actions.Wednesday, December 24, 2008
Rejoinders welcome
I may be the last living person in the world to have seen Sarah Palin’s comment during the presidential campaign in which she talked about “real America”, which by implication relegated some regions of the northern part of the western hemisphere below the 49th parallel to . . . well I don’t know what. In any case, a rejoinder was called for. I don’t know what it should have been (feel free to make suggestions), but the episode put me in mind of some of my all time favorites – responses that lay waste to the original offending comment while surpassing it in both wit and style. To begin with the obvious:- See vice presidential candidate Dan Quayle cite John F. Kennedy’s youth and inexperience in an attempt to allay concerns about his own, only to be countered by Senator Lloyd Bentsen’s, “Senator, I served with Jack Kennedy. I knew Jack Kennedy. Jack Kennedy was a friend of mine. Senator, you're no Jack Kennedy.” Given the circumstances – a nationally televised debate during a presidential campaign -- this may be the most devastating rejoinder ever uttered (a surmise well-supported by Dan Quayle’s subsequent political fortunes).
- A much lighter, but no less pointed rejoinder came when baseball slugger Reggie Jackson assessed his own importance thusly, “I’m so big, they named a candy bar after me!” The rejoinder, from an old sportswriter evidently worn down by such brash pomposity, “Fathers named their sons after Stan Musial.”
- And I think the funniest rejoinder ever, was described years ago in Sports Illustrated. The boxer, Muhammad Ali, was on a commercial airliner about to take off when the flight attendant asked him to buckle his seatbelt. Ali replied, “Superman don’t need no seatbelt.” The flight attendant, “Superman don’t need no airplane.”
Tuesday, December 23, 2008
Appalachia: The Death Belt

For the unpleasant details about childhood death and its causes, see the story by David Brown in today's Washington Post.
Play Scripts Now Available
- Beneath Shelton Laurel
- Pound
- Valu-Mart
- Claudie Hukill
- Revolution
You'll also find my full playwriting bio. Print them, read them, share them, produce them, and feel free to tell me what you think of them.
Monday, December 22, 2008
Constitutional Triangulation
"We had to destroy Ben Tre in order to save it." US Army spokesman, 1968, on the bombing and shelling of a Vietnamese village.Sunday, December 21, 2008
Play Submission Blitz: Progress Report
I'm a quarter of the way through my project of submitting a play-a-day for a year. For those who are old jocks, I’ll cut through the BS and go straight to the score board. At the end of the first quarter (3 months):· Wins (commitments to produce) – 0
· Losses (outright rejections) – 17
· Runners on Base (theatres requesting full scripts and/or considering production) – 7
· Missing in Action (no response whatever) – 73
I know this doesn’t look too good, but given most theatres’ lengthy decision processes and the fact that my queries (not even scripts in most cases) have only been in their hands for an average of 7 weeks, I’m not sure it would be reasonable to expect any commitments at this point . . . especially since, with just a few exceptions, I’m only submitting to prominent professional theatres. Of the seven theaters that have requested full scripts or have told me they're considering scripts they've already received for production, two are LORT theatres, two are National New Play Network Theatres, one is a very prominent New York company, and the remaining two are well-respected Equity companies.
So, on balance, I'm encouraged. If after a year of this I get productions on as few as two prominent stages, I’ll consider my efforts to have been worthwhile. Three will delight me. And four will force my family to intervene with mood stabilizers to bring me down. But, all of that is a long way down the road, because, as I mentioned above, the lengthy decision cycle for most theatres probably means that I won’t be able to fully judge the impact of what I’m doing until 18 to 24 months from now.
I should also mention some of the feedback I've received from other playwrights largely as the result of my experiment being mentioned by The Dramatists Guild's Gary Garrison in his periodic e-newsletter. (Please note that I have not yet seen the newsletter myself because of an apparent addressing problem at the Guild, so if anyone can forward the newsletter in which I'm mentioned to me, I'll be grateful.)
The feedback has fallen into three categories:
- Enthusiastic "You go girl's" (Yeah, I'm a guy, but you know what I mean.)
- Doubtful, but friendly "Best of luck's"
- Sympathetic, but pointed advice that I'm "spinning my wheels" and shouldn't waste my time.
What's remarkable to me is that, in all the responses I've received and the advice I've been given, no one has yet raised what to me should be the central question -- are my plays good enough to be worth the effort? Because, if they are -- and I obviously think so -- then the advice I need from those who are telling me to stop is, if not this, then what SHOULD I do?
Consider my situation, which is shared by many playwrights. I have no agent; I didn't go to a drama school or "study with" anyone of any prominence or who has vast connections; and I live in Harpers Ferry, West Virginia. In short, all I have to stand on are my plays and the success they've achieved when produced. But, if I can't get them read, then I don't even have that to stand on. So, please, to those of you who tell me not to waste my time and who haven't read my plays, consider the implication of your advice that I should stop.
You're saying that, regardless of how artistically or commercially worthy my plays may be, the system is so stacked against playwrights like me that it simply will not recognize quality or allow it to rise to the surface. If that's the case, then theatre has a profound structural problem that goes way beyond one whacked out wannabe hoopie playwright from West Virginia.
So, to help readers of this blog and of the Dramatists Guild newsletter more fairly evaluate the sanity or insanity of what I'm doing, this week (as soon as I can get some technical help) I'll post PDF's of the five plays I'm promoting as well as my bio. Then everyone can judge for himself or herself whether my quest is quixotic.
I hope you'll continue to let me know what you think.
Sunday, December 14, 2008
Wheeling, are you listening?
The following is Bill Grimes's response, printed with his permission, to my post of a few days ago in which I took exception to some of the statements contained in his acceptance speech on the occasion of his induction into the Wheeling Hall of Fame. If you were not present to hear Bill's HOF acceptance remarks, they are reprinted at the end of of this post.Thank you very much for taking the time to communicate your thoughts on my remarks, and more importantly, your views of the reasons Wheeling’s has suffered such economic decline. I read your blog carefully and admire your analytically thinking about and passionate feelings for the city which we share positive feelings, memories and hopes for a better future. Regrettably I have not had the pleasure of meeting your father. Having read of his many sustaining contributions to the community he seems eminently deserving of the Hall’s recognition and I humbly extend my sincere congratulations and good wishes.
I have chosen to respond below to your comments you in the order of their appearance in your blog rather than beginning with later (in your blog) points that might be more important. This method makes responding a bit easier for me since it reduces later editing time and I can work off your printed document that sits here aside my keyboard. Along the way I will add a thought or two that purposefully did not appear in my “bracing” comments” the other evening. Finally, I hope an occasional dialogue between the two of us might follow this constructive communication that you have initiated.
In your first paragraph while sensing a tinge of antagonism and sarcasm in your rhetorical question, “doesn’t this guy realize we already know that?” (referring to Wheeling’s decline), I can accept the fairness and validity of your perspective that here I sit l (you) listening to this pompous exhortation from some insensitive, ungrateful ex-business guy who doesn’t even make the effort to come home and deliver such thoughts personally. The answer to your question though based upon my experience of spending nine days in Wheeling in August and talking with scores of people is that I left with the overwhelming sense that while maybe “we already know that” nearly everyone I spoke with over lunches and dinners, in the library, at Oglebay Park and in other public venues throughout town expressed a deep resignation that while things haven’t been great here in Wheeling…well, that’s just the way it goes. Can’t be helped and though things aren’t great they’re not so good in other places, right, Bill? One old friend smiled when describing how city management has ignored the deteriorating condition of the Wheeling’s main tunnel through which much traffic flows. “That’s the way the cookie crumbles here, you know that, Bill, the government doesn’t care and most people don’t either.”
Sean, I could go on but this experience of numerous people on one hand acknowledging “we know that” and on the other dismissing “that” as not too bad with the unspoken implication compared to some other places (virtually none of which I can think of including your New England mill towns) and concluding with a combination of disregard for events out of our control and a “life goes on” state of mind fatalism created a most negative impact upon me and stimulated my initial comments that you refer to in paragraph one. In retrospect I feel that stating these bracing comments in my induction comments rather than lobbing up some soft pitch was the right thing for me to do and my only regret was not being there to personally speak the words and talk about these observations with citizens there who like yourself care about Wheeling.
Paragraph 3: That in the late sixties “the steel and coal industries wre already faltering” is certainly true. Having had certain family relatives involved in the management of the steel business I think it would be fair to suggest that more enlightened d management and union leadership may have ameliorated this decline. Continual haggling over work rules, compensation and damaging strikes I would like to think could have been handled better by both constituents resulting in a healthier industry and a healthier Wheeling. Yes, I think of the auto industry in writing this but in that case I can claim twenty years of working fairly closely with executives of the Three (unhappily “Big Three” just cannot be spoken any more). I could see the coming devastation in our domestic auto business and the lessons Detroit did not learn from Wheeling have contributed greatly to the situation we currently have there. My point is that steel and coal were industries on decline but better management could have lessened the degree of the damage. My opinion based upon my best learning and experience.
You then add the phrase “other economic forces would undercut Wheeling’s economy”. While you didn’t identify any I will not quibble that there were macro-economic factors that adversely over years affected Wheeling. But here I arrive at what I believe is a significant factor not mentioned by you and one I could not in my most bracing thoughts have written. The business owners of scores of Wheeling’s companies decided to sell their businesses to companies located elsewhere. They did NOT buy companies located elsewhere as ambitious, energetic, community-oriented owners and managers in so many other cities did over the last century. No, Wheeling’s company founders took the easier route: given the choice of building and acquiring businesses or selling out, Wheeling’s owners, the backbone of the city, in overwhelming numbers sold their equity which led initially to continuing decreases in Wheeling’s employment and later to the complete removal of all of the business’ operating assets to the home city of the acquiring companies.
Now let me turn to a new point that has its roots in the decisions made by Wheeling business owners and leaders in those prosperous decades of the first half of the last century. Many Wheeling business scions back in those long-ago days decided that the city’s private and public schools were not good enough for their children. Either because of perceived educational or social deficiencies many of the city’s young were sent way in grade school. I can name several kids in my era who in fifth and ninth grade were sent to prep schools in the east. From Andover and Exeter they followed the Ivy path and by the time they finished their schooling they had likely developed an strong inclination that living in New York and plotting ahead (often with the fortuitous trust fund to help them over any stumbles) there as an employment was far preferable than returning home to Wheeling to manage dad’s brewery, glass factory, brokerage house or bank.
A comment in response in following paragraphs to your comment on retaining talented high school and college graduates. You followed that with reasons why the city and state is not succeeding in achieving much progress. I do not disagree but want to point out that in 1995 I returned to my college to speak at graduation. Somehow the regional correspondent for NPR called and asked my opinion on what I would think of to address the declining economics and population of the state. I replied that the instead of spending so much federal funding on highways that even then accommodated sparse traffic Senator Byrd and other state government leaders should create a significant venture capital fund that would be dispersed annually for new business start-up companies in the state. I suggested locating it in Morgantown near the University where most of the technically trained students in the state are.
I am beginning to run out of steam but I want to comment on a very interesting idea of yours and close with an out-of-box idea of my own. I like your idea of West Liberty State moving to Wheeling. I visited there on my recent trip back to Wheeling and was amazed at its present size. It would seem financially challenging with all the building and infrastructure there to replicate it in town but I agree that the vibrancy of Wheeling would seemingly benefit. I would though ask what effect Wheeling College has had on the community and think about what WL’s would be different and hopefully better.
Bill Grimes December 2, 2008
Good Evening to you all. I regret that because of previous commitments over this Holiday weekend I am unable to be here this evening to accept this recognition and honor. I want to thank all who supported my candidacy.
Although it has now been nearly a half century since after college I left Wheeling my thoughts today frequently return to so many hometown memories. The early childhood lessons of fair-play, industriousness, accountability and perseverance have impacted my life most positively. Much of this learning was shaped at Linsly where discipline, duty and honor were practiced and recognized daily.
Recently I read a wonderful new book, “Wheeling: A Brief History” by George Fetherling which catalogues the city’s development over its two hundred fifty year history and highlights many of its unique characteristics and people. The book’s penultimate chapter describes many of the city’s economic difficulties over recent years. In the final paragraph the author notes: “As with a number of American cities, the cyclical nature of its history is becoming apparent. By traditional standards of measurement, Wheeling had contracted and even deteriorated to the point where it was on the verge of becoming a frontier, in terms of under-development that Ebenezer Zane would have understood. What happens next is uncertain.”
As I reflected upon this thought from the book and upon my own observations of Wheeling during a recent week’s visit, I at first felt an acute sense of sadness at the diminishment of the population, particularly the young; the deterioration of historic endemic architecture and the depletion of many business enterprises. This sadness slowly gave way to an increasing sense of unease, almost a feeling of guilt, in being selected a member of Wheeling’s Hall of Fame. That’s because I chose to leave my hometown instead of remaining here and contributing to community’s progress and welfare.
Then I began to think about the concept of a “Hall of Fame” which is an entity or place designed to commemorate individual achievement in various endeavors. And I would hope that Wheeling’s Hall gives strong preference in its selection process to honor those whose time and efforts have been invested in the service of this community, in Wheeling itself. Awarding opportunists like myself who left for a better material life elsewhere seems to send the wrong signal to Wheeling’s young.
Further, it seems indisputable that the future of any city depends to an important degree upon the return of its college educated sons and daughters to their home where their skills and energy can immediately be applied to new ventures and to solutions of the community’s challenges.
In this context a couple of thoughts come to mind. Perhaps Wheeling today needs other another Hall of Fame to recognize meaningful contributions of the community’s younger citizens, maybe a “Today’s Famers” or “Wheeling Achievers.” I have seen such symbolic acclaim excite young managers and thrill entrepreneurs. Sometimes small efforts produce large returns.
The national YPO (Young Presidents Organization) is such an organization that brings together company presidents under 40 years of age who often mutually engage in efforts to produce economic value for companies in need. Why not for communities in need?
Last week I attended a conference in Silicon Valley which focused on a variety of ways large digital media companies are investing in new venture partnerships with local businesses in smaller cities. Yahoo, Google and IAC described plans to work with local newspapers and radio to produce technology and communications that can be potentially valuable for local businesses and could possibly create new jobs. A related benefit to these exciting digital endeavors is that cities like Wheeling might find that their some of its youngest and brightest would be less be anxious to seek their fame and fortune elsewhere.
At this conference during this moment of nationwide credit crisis, collapsing markets and constrained capital a husband and wife, founders of small company in Indiana, described how they recently raised one million dollars from the Federal Government’s Small Business Administration (SBA) which has $13 billion currently available to lend to local businesses.
My hope is that continued and more creative efforts by Wheeling’s business leaders, Chamber of Commerce, the Hall of Fame, local government, schools and NGOs can together find ways to revitalize this great community. Perhaps Mr. Feathering’s last sentence, “What happen next is uncertain,” is not true. Perhaps what happens next to Wheeling can be something new, dynamic and value-building for all in the community. It is in your hands. And while I am miles away much of my heart remains in this valley town on the Ohio. If I can ever be of smallest assistance I would happily respond.
Thank you and Best Wishes.
Friday, December 12, 2008
Cured of envy
Wednesday, December 10, 2008
Dramatic Saturation
In a given year, how many books do you buy? Ten? Maybe twenty? Yet, there are thousands of books from which to choose. So, how do you select your ten or twenty? Are they the “best” books, whatever that means? Probably not. They may be good or you expect they will be, otherwise you wouldn’t bother buying them. But, there are many books you don’t choose that are as good or better on purely objective grounds. So, the factors that cause you and the rest of us to select particular books are more peculiar and perhaps quite personal.We may be fascinated by a subject. We may like the author. Or maybe the book has been recommended by a friend. The point is that, when buying a book, we don’t execute a structured decision-making process in which the thousands of options from which we can choose are quantitatively assessed, scored, and compared on the basis of some external standard of quality. It's a more personal and subjective process in which high quality may be a necessary condition for a book to be chosen, but it's far from a sufficient one.
The same is true of artistic directors choosing the five or six plays that make up their theatres' seasons. For playwrights who hope their plays will be among the chosen, this means that critical determining factors are probably unknowable, unpredictable, and nearly random. We can make sure the plays we submit conform to a theatre’s mission statement and vaguely resemble other plays the theatre has produced. We can also make sure that our plays’ casting and staging requirements are within the theatre’s wherewithal. But, even after taking those steps, there remain thousands of other scripts that meet these minimal requirements. And, if one of them happens to be set in 18th century Wales, a subject in which the artistic director has a fascination, and ours does not, we’re screwed.
The point is that, however good we make our plays and however much we try to align their characteristics with the presumed tastes and interests of the theatres to which we submit, there will always remain a huge margin for whimsy, serendipity, and randomness over which we have no control. In other words, quality can get only get us so close and, after that, having a play chosen for production is largely a game of chance.
The most frequently recommended strategy to improve our odds in this game of chance is to supplement our writing of good plays with efforts to ingratiate ourselves to those who have influence over what is produced. We’re told to donate or, better yet, volunteer our services to a targeted theatre. Take tickets, build sets, usher, do . . . well . . . anything to make ourselves known and liked. Although, I wonder if it wouldn’t work just as well or better to get the theatre’s artistic director drunk and snap some compromising pictures.
The problem with this strategy is that, aside from being distasteful and having NOTHING to do with writing good plays, it can be impractical. We may live in places that are distant from theatres. We may have lives outside of theatre – families, jobs, and other responsibilities – that consume the time we do not spend writing plays. And, if the scolds say to us, “Then, you just don’t care enough or want it badly enough”, I have to reply that those who try to substitute martyrdom for talent and cronyism for quality are present in every profession and rarely are they or the professions better for it.
Fortunately, there is another strategy that holds promise by embracing the randomness of play selection. Simple mathematics tells us that, when a situation is fraught with randomness, the best response is to improve the odds by multiplying one's chances. If only one play in a hundred submissions is chosen, then I have a better chance if I've made five of those submissions than if I've made only one.
To test this theory, I am now 82 days into a program of maximizing the number of chances for my plays to be chosen. I have been and will continue to submit plays at a rate of one –a-day for an entire year . . . at least 365 submissions in all to professional theatres, specifically the most prominent of those that don’t throw up the wall of “agent only” submission policies.
This does not mean that I'm being any less vigilant about matching my plays -- there are five that I'm promoting -- to theaters' specific needs and interests. In fact, because in most cases my submissions are being made to people who've never heard of me, I'm more careful than ever to make sure my submissions conform to stated requirements and that I call out the specific reasons why the play I'm submitting should resonate with the theatre's audience and help fulfill the company's artistic and commercial goals.
Whether my approach will work remains to be seen, but the initial results are encouraging. In the first eleven weeks, two LORT theaters have requested full scripts of my plays and the literary manager of a New Play Network theatre has forwarded one of my plays to the theatre’s artistic director with a recommendation for production. The artistic directors of three other Equity theaters have asked me to send full scripts. Six theatres have rejected my submissions outright. The rest have either not been heard from or have merely sent acknowledgements of my submissions.
Of course, there is not yet a single commitment to produce. But, given that such decisions are typically made over the course of months, that’s not surprising since I’m less than three months into the endeavor.
I acknowledge that my strategy is radical, but it has the virtue of being viable for just about any playwright who believes he has written one or more worthy plays. In fact, it’s remarkable how efficient I’ve become in packaging submissions. Whether I'm making a simple inquiry or mailing a full script, rarely does it take more than fifteen to forty-five minutes to identify a theatre that should be receptive, assemble the materials either electronically or as hard copy, and send. Fifteen to forty-five minutes is not an inconsequential amount of time and it takes away from writing. However, at a total three and a half hours a week, my bet is that it represents, for me, the best possible combination of efficiency and productivity. In any case, I’ll find out.
Friday, December 5, 2008
Now, if only a few more theatres would tumble . . .

Monday, December 1, 2008
An open letter to Bill Grimes: Wheeling Hall of Famer
Dear Mr. Grimes,While listening to your bracing remarks at last night’s Wheeling Hall of Fame induction ceremony, there were moments when I found myself thinking, “Doesn’t this guy realize we already know that?” I’m thinking specifically of your observations concerning Wheeling’s economic decline and your suggestion that recognition of the kind extended by the Hall of Fame might be more usefully and appropriately given to people who stay in the community and whose achievements, or in the case of young folks, potential achievements benefit Wheeling as well as themselves.
I’ll come back to the subject of whom and what we should recognize in a moment, but first I’d like to comment on the forces that landed Wheeling in its present state of distress.
In the late sixties, when I was a teenager, the steel and coal industries were already faltering and other economic forces that would eventually undercut Wheeling’s economy and population were advancing. But, at the time the outward symptoms were mild and none of Wheeling’s vital organs had failed. Then the city’s leadership made a fateful decision. The Downtown Wheeling Associates – the local assemblage of retail business owners – and the City Council decided to resist the development of a shopping mall in the county outside of Wheeling. As a result, the mall went to St. Clairsville, Ohio and, in a comparative moment, Wheeling ceased to be the retail hub of the valley.
It’s an oversimplification to say that Wheeling’s decision to fight the mall was by itself the cause of the city’s decline. Wheeling would have faced immense challenges in any case. But, the city at least would have retained its status as the retail center of the valley. Prosperity would have diminished, but Wheeling's role in the valley might not have.
In a way, it’s unfair that a place should suffer so because of one bad decision. Bigger cities such as Pittsburgh made bushels of equally bad choices, which among other things resulted in that city living in a state of virtual bankruptcy for the better part of three decades even while its downtown gleamed. But Pittsburgh had a vibrant educational and cultural infrastructure and, as importantly, it had the headquarters of companies such as Heinz, PPG, and PNC that continued channeling revenue to Pittsburgh’s metropolitan area from more prosperous parts of the country and the world even during the downturn. Wheeling did not.
Lacking Pittsburgh’s critical mass and the tentacles to reach into other regions, Wheeling didn’t have the same margin for error. It’s an affliction common to small and mid-sized cities whose economies are not well diversified. Before the bio-tech rebound of the 1980’s, the diverse city of Boston struggled but survived while less diversified surrounding “mill towns” such as Lowell, Lawrence, and Fall River were devastated in much the way Wheeling is today. In short, although the severity of Wheeling’s decline wasn’t inevitable, neither is it inexplicable or even unusual.
That brings us to today and your suggestions concerning the appropriate mission and role of the Wheeling Hall of Fame and of the community generally in turning this place around. First, I should acknowledge that, like you, I have not been a Wheeling resident since leaving for college thirty-five years ago and most of the benefits of my prosperity go to the community where I and my company are now located. Still, my ties to Wheeling are strong. My parents live there. In fact, my father, Hal O’Leary, was one of your fellow inductees at last night’s ceremony. So, although my use of the word “we” when referring to the Wheeling community is technically misplaced, it reflects the way I feel.
I agree with you that Wheeling should work assiduously to retain and attract talent by recognizing those whose efforts benefit the city or whose mere promise makes them potential benefactors of the city. But, I must also note that this already happens to a remarkable degree. A five thousand dollar gift to a charitable or civic organization that would earn no more than a listing on page 142 of someone’s annual report in larger cities, is front page news in Wheeling. The same goes for the professional, commercial, and cultural achievements of Wheeling residents pretty much from cradle to grave. But, recognition without opportunity doesn’t get you much.
What Wheeling and West Virginia lack are capital investment and career opportunities that would allow the city and state to retain its many talented high school and college graduates who must go elsewhere to find jobs in the fields in which they’ve been trained.
Both problems are exacerbated by the state’s lack of major population centers that make for desirable communities where companies can find skilled and educated workers. That’s why I would argue that the best and maybe even the necessary way for Wheeling and West Virginia to overcome these hurdles is to start consolidating educational, commercial, and cultural resources in its cities where critical mass can be achieved. As an example, I’ve suggested that both parties would benefit greatly if West Liberty State College (soon to be a university) and it’s three or four thousand students, faculty members, administrators, and workers would relocate to Wheeling where the school could occupy an urban campus.
The effect on Wheeling’s economy would be profound and positive as would the effect on the college’s accessibility and appeal to students both from the region and elsewhere. And, as importantly, the appeal and opportunity that Wheeling offers to workers and investors from outside the region would grow.
Would things of value be lost? Sure. But, prosperity is a game of tradeoffs in which we sacrifice something to acquire something else that we hope and believe will be of greater value in the long run. The same kinds of decisions will have to be made hundreds or thousands of times by the city and state if we’re to crawl out of our hole.
I’ll close simply by saying that I genuinely appreciate the carefully considered comments you sent for last night’s ceremony. They triggered in me and I’m sure a lot of the other folks serious reflection about the factors got Wheeling into its present state and the actions that we hope can get us out. I’m also sorry for this rambling note, but not very, because you inspired it. I don’t know how connected or disconnected you are from Wheeling at this point, but I hope you continue to take an interest, if only a rooting one, because your talents and accomplishments are impressive and, as a fellow emigrant from Wheeling, I can assure you that the place continues to take an interest in us. It’s the way Wheeling and its people are.
Sincerely,
Sean O’Leary
